DJ Esco hints, tips and ideas. (NS7 Numark Numark iDJ2 Korg KP3 Kaoss Pad 3)

!±8± DJ Esco hints, tips and ideas. (NS7 Numark Numark iDJ2 Korg KP3 Kaoss Pad 3)

I have many questions, receive while on the road, You Tube, PM, IM, email, etc. to ask what I can do and what I recommend. Here's a vid and go through my setup and backup plan, including the reasons or logic behind it. Hope this helps. DJ Esco

DJ Esco hints, tips and ideas. (NS7 Numark Numark iDJ2 Korg KP3 Kaoss Pad 3)

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Soon, Comedy abandoned in February 2010, guitar, KAOSS PAD MPC 1000

!±8± Soon, Comedy abandoned in February 2010, guitar, KAOSS PAD MPC 1000

A bit 'of vidio plays the acoustic guitar loop KAOSS PAD. First KAOSS PAD is like a foot pedal, use the sampling and effect.

Soon, Comedy abandoned in February 2010, guitar, KAOSS PAD MPC 1000

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ER1 + LITE II (live)

!±8± ER1 + LITE II (live)

Excerpt from a June 10 live streaming. Gear list: KORG Electribe R mkII KORG MFB SYNTH LITE II KAOSS PAD KP3 (MIDI controller) Edirol UA-101 (audio interface and MIDI) Ableton Live (sequencing, effects and recording) AU-101 I bought last week. AU-101 is USB 2.0 compatible audio interface with 10 channels of audio I / O. I threw an old analog mixer and installed on my live rig. All audio signals are fed separately to the DAW, so I can freely route DAW signals in real time (thanks to Ableton). Ithis is a wonderful solution for streaming live shows ...

ER1 + LITE II (live)

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Kaossilator Pro & KAOSS PAD (5) Title: SPY Unskilled

!±8± Kaossilator Pro & KAOSS PAD (5) Title: SPY Unskilled

130bpm. Aeolian scale. I tried to get in the darkroom. Practice, practice, practice!

Kaossilator Pro & KAOSS PAD (5) Title: SPY Unskilled

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drm1.wmv

!±8± drm1.wmv

drm1.wmv

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Honeyshed: Mini-KP Kaoss Pad

!±8± Honeyshed: Mini-KP Kaoss Pad

A revolutionary touchpad MIDI controller, sampler and effects processor - Kp Kaoss Pad Mini-Korg.

Honeyshed: Mini-KP Kaoss Pad

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Korg Electribe EMX-1 Kaoss Pad KP3 Korg and

!±8± Korg Electribe EMX-1 Kaoss Pad KP3 Korg and

just havin some fun 'with the EMX-leave a comment and let me know what you think:)

Korg Electribe EMX-1 Kaoss Pad KP3 Korg and

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Korg KP3 Micro X Demo

!±8± Korg KP3 Micro X Demo

This is a demo of the Korg Kaoss Pad KP3 Korg Micro X and the

Korg KP3 Micro X Demo

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mini makeover with ESX, KP3, KAOSSILATOR (Cuba has seemed like the future)

!±8± mini makeover with ESX, KP3, KAOSSILATOR (Cuba has seemed like the future)

This song is the future of Cuba as played by the composer mini makeover

mini makeover with ESX, KP3, KAOSSILATOR (Cuba has seemed like the future)

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Kaossilator Pad

!±8± Kaossilator Pad

Kaossilator is awesome no MIDI out is not. But it is possible, offers to its bigger brother, the Kaoss Pad to create new ones. In this video, I am with the program Bidule to translate MIDI messages, notes, and then guide them in reason. The possibilities are endless.

Kaossilator Pad

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Akai SynthStation25 - Slow Jam

!±8± Akai SynthStation25 - Slow Jam

Another test used combined with the Akai SynthStation25 Nlog, beat maker, Korg KP3 and iPhone Ableton Live.

Akai SynthStation25 - Slow Jam

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beatbox KAOSS functions

!±8± beatbox KAOSS functions

8 of 8 trails just steps from the event table 8 modules enable simple sampler .................................. . . ...... able to use the cursor control with bpm bpm reactor MIDI Clock .................................. ... ................... three inputs ............................ ........................... 1 Use the x and y dtermine where ur, then let go to keep the one with the hold button .... .................................................. 0.2 ° tap on the pad to enter xÑyAcid Beats [cool ]......................................... n changes to randomization .............. or 3 input method is to use the motion control of the record KP3 seq u get something in motion which then shares in the table of random events acting [for cooling recorded images randomization n] ......... .. ...................................... ........ Theres also leaves three methods and the normal left to right, top to bottom and on both.................................................. .... So all in all its pretty cool its just a bar but its graphics very useful and im gettin pretty cool I was getting what I want, the other day when I started this was recorded on every shot but the KP3 displayd its cold right now ... ........ oh, and what does it cool stuttery glitchy when u press a couple of separate networks for the KP3

beatbox KAOSS functions

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Deep under the sea

!±8± Deep under the sea

Something smooth ... Download Link: www.mediafire.com

Deep under the sea

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h3rm RS7000 Tekno live act @ Basstart Flex 19/12/2009

!±8± h3rm RS7000 Tekno live act @ Basstart Flex 19/12/2009

h3rm live @ Basstart with Dr. Looney, Spaceant, Duke - live act with Kaoss Pad 3

h3rm RS7000 Tekno live act @ Basstart Flex 19/12/2009

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Korg Kaoss Pad Quad Demo (NAMM 2011)

!±8± Korg Kaoss Pad Quad Demo (NAMM 2011)

Korg Kaoss Pad Quad Demo (NAMM 2011)

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Kaossilator & microKORG Pro XL & KP3 (2) Title: Under the cloud

!±8± Kaossilator & microKORG Pro XL & KP3 (2) Title: Under the cloud

130bpm. Ionian scale. If the environment?

Kaossilator & microKORG Pro XL & KP3 (2) Title: Under the cloud

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Kaoss Pad 3 Pad is 2Kaoss BeatBox Tutorial Part 2 www bbw for Blazer Made of pale beatbox

!±8± Kaoss Pad 3 Pad is 2Kaoss BeatBox Tutorial Part 2 www bbw for Blazer Made of pale beatbox

Bbw bbw chat bbw nude girls bbw date finder bbw fat women bbw personals chubby waist bbw bbw bbw black club in Mexico this video, I did it for Beatbox world die I hope I can contribute now part 1 1 2 synthesizer effects

Kaoss Pad 3 Pad is 2Kaoss BeatBox Tutorial Part 2 www bbw for Blazer Made of pale beatbox

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Milan - Minimal Loops Beatbox Improvisation! (Live recording, and composition board)

!±8± Milan - Minimal Loops Beatbox Improvisation! (Live recording, and composition board)

Equipment: Line 6 Pod XT, Mackie 1202-VLZ3, Korg KP3 Kaoss Pad, Roland RC-50 Loop Station, FEX800 Behringer Behringer MIDI controller that controls and pod xt. Loop Station and the Kaoss Pad MIDI sync.

Milan - Minimal Loops Beatbox Improvisation! (Live recording, and composition board)

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Bludgeon - Kanker (Dubstep Filthy Korg EMX and of KP3)

!±8± Bludgeon - Kanker (Dubstep Filthy Korg EMX and of KP3)

I am a manufacturer of 17 years and I make a video of my jams dubstep.This with one of my models on my Korg EMX. I have to hear every sound, and the change in rhythm with my Kaoss Pad for some parts. in some cases, even if you scratch on my turntable (not the largest). But let me know what you think of this track! Finally, the Souncloud! This track is available for free download. soundcloud.com Heres my fan page, please come! www.facebook.com

Bludgeon - Kanker (Dubstep Filthy Korg EMX and of KP3)

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The whores have their trinkets (DJ Stoic / Kaoss Pad 3 Techno Remix)

!±8± The whores have their trinkets (DJ Stoic / Kaoss Pad 3 Techno Remix)

If you have not heard or seen this show, I highly recommend that you check it out - assuming, of course, that made British comedy. And 'quite short, only 18 episodes in 3 seasons, but holy hell, it's fun. So without further adieu, here is my tribute to the BBC's black comedy geekno Books. Hookers have their trinkets ... Have fun! : P

The whores have their trinkets (DJ Stoic / Kaoss Pad 3 Techno Remix)

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DJSJ: freestyle Korg synth-Jumper

!±8± DJSJ: freestyle Korg synth-Jumper

Here's a song for you synth lovers out there. I hope that you enjoy and tell me what you think please. Made with the Korg Electribe MX (EMX-1) Kaoss Pad KP3 and BPM: 128, as always: "Keep mixin 'Please visit and sign up@www.touchbassdjs.com

DJSJ: freestyle Korg synth-Jumper

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KP3 & beatbox Eliot

!±8± KP3 & beatbox Eliot

Usually if I wanted the control over the sampling functions KaossPad3 know. I could not find this information on youtube. Now that I have it I made a brief presentation, what you do with the Kaoss Pad 3 samples, which allows you to do the beatbox. build a beat from the Scratch from a sample of 1 beat of "t" from "Eliot" (to use as a click), the addition of a synth line (sample 4 beats), bass-beat and breathing -track (set of samples 8 bars). I am using different sample lengths, bouncing to two tracksa new individual track volume settings and mute functions for breaks during the creation. I hope this gives you an overview of the characteristics of the Kaoss Pad 3 sample, and also what can be done with a beatbox with him. Here I use the fx. His sampling of my live beatbox only that only the function of sampling. I added the titles at every step, describing what I do. You might want to hit "pause" on the player for better readability. This is not an instructional video, as you can see exactly whatPress the buttons. but I hope it gives an idea of ​​what is possible and the motivation to play his. Audio and video with my point-n-shoot cam is made so dirty and raw:)

KP3 & beatbox Eliot

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Fatboy Slim remix on Kaoss Pad 3

!±8± Fatboy Slim remix on Kaoss Pad 3

BANK: Fatboy Slim - Do not let the 'man down BANK B LAOS - Panda Style C BANK - Fatboy Slim - Praise You BANCA D - Group A, but cut into slices, if this compound in a longer and Download version better, write a comment!

Fatboy Slim remix on Kaoss Pad 3

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Kaossilator increase in Reason w / MIDI

!±8± Kaossilator increase in Reason w / MIDI

A short demonstration of synth control because of a Kaoss Pad This is a simple demo version of C-major scale, more info, see circuitbent.wikispaces.com

Kaossilator increase in Reason w / MIDI

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Kaossilator MicroKorg Pro & XL & KP3 (7) Title: Departure

!±8± Kaossilator MicroKorg Pro & XL & KP3 (7) Title: Departure

Long time no see. Send Watch to 3 minutes. I have a ZOOM Q3HD get songs to record.

Kaossilator MicroKorg Pro & XL & KP3 (7) Title: Departure

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Jay-Z meets Electribe Meets RHCP Meets KP3

!±8± Jay-Z meets Electribe Meets RHCP Meets KP3

Squeeze some songs with Korg Electribe MX and enjoy the Korg Kaoss Pad

Jay-Z meets Electribe Meets RHCP Meets KP3

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Kaoss Pad KP3 Kaossilator and (2)

!±8± Kaoss Pad KP3 Kaossilator and (2)

All sounds are from Kaossilator.

Kaoss Pad KP3 Kaossilator and (2)

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MPC500 + KP3 "Remix THAN WILD"

!±8± MPC500 + KP3 "Remix THAN WILD"

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MPC500 + KP3 "Remix THAN WILD"

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The Microphones choice - Understanding Specifications

!±8± The Microphones choice - Understanding Specifications

This article provides an overview of five important steps that are typically listed on the tabs microphone data: frequency response, sensitivity, impedance, self-noise and signal to noise ratio. The understanding of these specifications can help if they try to decide on the best microphone for a particular purchase application.

Frequency Response

Frequency measures how a microphone responds to different sound frequencies. An ideal "flat" response (the same sensitivity)Microphone would have responded well to all frequencies of the audible spectrum. This gives a more accurate reproduction of sound and produces the purest tone. The truth is that microphones that are advertised as having a "flat response" may vary slightly at certain frequencies. In general, the data sheets may be the frequency response as a series like "20 Hz to 20 kHz, which means that reproduce the sounds of the microphone, the fall list in this area. What explains this is not likeclearly the different individual frequencies are played. Some microphones may react differently to certain frequencies. For example, the instrument for the bass drum microphones generally developed to respond better to the lower frequencies, while microphones would rather the frequency of a human voice.

As a general rule, condenser microphones have a flatter frequency response dynamic. This means that a capacitor will tendbe the best choice if the accuracy of sound reproduction is the fundamental objective.

Sensitivity

microphone sensitivity measures how much electricity input for a certain sound pressure is generated (in "millivolts" measured mV). In general, when measuring the sensitivity of the microphone, microphone in a sound field of reference is the place where a sound pressure level (SPL) of 94 dB (1 Pascal) at 1,000 Hz, the microphone is held. (Some manufacturers use 74 dB as Shure Pascal 0.1). The difference is that94 dB SPL is typical of the sound intensity is spoken by some twelve inches away and 74 dB SPL would be the same speakers are an inch away. A typical condenser microphone can be valuable both as "7mV/Pa" or-43dBV in the technical data listed. These two values ​​indicate the same thing - they are just expressed differently.

If two microphones are subject to the same SPL, and produces a higher output voltage, said that an assessment of the microphone for greater sensitivity. Althoughable to read / compare the sensitivity of the microphone (output) is important, assessment of the current sensitivity is not usually very careful in selecting the microphone. In general, the design of a microphone for a particular application is playing a role when the producers to determine the appropriate quantities. For example, dynamic microphones are generally less sensitive than condenser microphones, as used in the rule are fairly close to the source. The following are typical values ​​for threedifferent types of transducer of the microphone:

Capacitor: 5.6mV/Pa (high sensitivity)

Dynamics: 1.8mV/Pa (medium sensitivity)

Ribbon: 1.1mV/Pa (low sensitivity)

Impedance

The impedance of a device is the flow of an alternating current (such as the audio signal) and is measured in ohms resist. Usually when it comes to microphones, "low" everything is treated as less than 600 ohms. "Medium impedance" would be 600 ohms to 10,000 ohms and "High" is greater than would be10,000 ohms. All microphones have a specification in terms of impedance - sometimes the value is written somewhere on the microphone, other times you may have the technical manual or manufacturer site to check to determine the number. In general, low impedance microphones are better than high impedance and impedance often can be used as a guideline to determine the overall quality. The advantage of the low impedance microphones is that they are used with long cableruns and negligible signal loss. Hard-wired microphones with cables and a 1 / 4 "connectors are high impedance, while the mics and balanced XLR audio cable needs are low.

When you connect the microphone, it is important to know the ohm level of the mixer or amplifier. A low impedance microphone should always be connected to an input impedance greater, or cause loss of signal. Typically, "low" audio mixers provide inputs1000-2000 ohm impedance and designed to work with levels of low-impedance microphone.

The sound pressure level

Self-noise is the electrical noise that produces a microphone. In general, the specific noise "weighed", ie the highest and lowest frequencies in the response curve flattened to a better simulation of the signal response to the human ear. (We tend, in the mid range audio frequencies aloud.) As a general rule, an A-weightedSelf-noise spec of 18dB SPL or less is great (very low), 28 dB SPL is good, while just over 35dB SPL is not good for recording high quality audio.

Because dynamic microphones do not have active electronics (no individual phantom power) that have very low noise compared to condenser microphones. Most of the technical specifications for dynamic microphones do not include measurements of background noise.

Signal to Noise Ratio

The signal to noise ratio (S / N) is the difference in dBbetween sensitivity of the microphone and the sound of cars. A higher S / N means that the signal is cleaner (less noise) and that the microphone is more "reach." can achieve can be defined as the accurate recording of quiet / distant sounds of high S / N obtained is usually not as a metric to record on a sheet of filter technology, as a distant sound of each microphone, when the source is quite strong. For example, an inexpensive microphone to take a thunder in the distance.

As a general rule for evaluating S / NTerms of 94dB SPL, little more than 74dB is excellent, a / N 64dB S specification is good.

Summary

We hope that these definitions have helped to provide some local knowledge on the specific microphone. The truth is that there is no microphone "ideal" is ideal for every situation. Manufacturers design their microphones audio specific applications in mind - such as live concerts or reproduction, and therefore have adapted to the specific way inthat the microphone has a better sound than with a specific hardware configuration. microphones are generally more expensive with better hardware, specifications and a better performance results.

The Microphones choice - Understanding Specifications

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Learn Guitar Now

!±8± Learn Guitar Now

Now you can learn the guitar has always just do some 'educated on the mechanics of the game. It must not require a lengthy process. You can set and learning in minutes. There are many online tutorials that teach you some of the basics you need to know to properly handle your guitar. If you do not know how to handle the guitar properly, is in trouble, no matter how good you are understood.Here you need to know to get started, how to play it now needs.

1. Make sure you understand how tuning:

Make sure you understand how tuning is so important to your learning process. If you are not familiar with this already then make sure that down before continuing. You have two choices when it happens. You can use a guitar tuner to ensure that the job is done well, if you do not understand, oryou can only learn There are six strings of a guitar and their pace should be from top to bottom. You can learn not to use the standard format for optimizing EBGDAE strings like most musicians.

2. Make sure you know how to read Guitar Tabs:

Knowing how to read guitar tabs is also important. You can start reading some simple note tablature. Need to know how to read tablature, when it comes to reading music that you can come to play onGuitar. What you want is to remember here just to read music, if you are a beginner. It can be very frustrated when the songs that are complex to read, it is not difficult, just take one step at a time until you read and play a few notes on the extended guitar.

3. Understanding how to hold the guitar keys:

Learn to keep your keys is one of the things you know. You can prepare differentsounds when you know exactly where you keep and to choose if you learn to play to know. The buttons are metal lines that run along the length of the guitar and when I press to get different sounds. They are easy to learn, if you can past the initial confusion, you gain experience. The music will be viewed as one to six years, when it comes to keys when it was held as a non-zero point collar.

Now you can learn the guitar by myselfthe decision to start. Some of the things that help you understand how the development and learn how to store the format EBGDAE tuning, guitar tabs correctly read and understand the guitar keys and their role in helping to play music properly. If your mission of these bases you learn to play guitar like a natural short time from now.

Learn Guitar Now

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The Microphones choice - Understanding Specifications

!±8± The Microphones choice - Understanding Specifications

This article provides an overview of five important steps that are typically listed on the tabs microphone data: frequency response, sensitivity, impedance, self-noise and signal to noise ratio. The understanding of these specifications can help if they try to decide on the best microphone for a particular purchase application.

Frequency Response

Frequency measures how a microphone responds to different sound frequencies. An ideal "flat" response (the same sensitivity)Microphone would have responded well to all frequencies of the audible spectrum. This gives a more accurate reproduction of sound and produces the purest tone. The truth is that microphones that are advertised as having a "flat response" may vary slightly at certain frequencies. In general, the data sheets may be the frequency response as a series like "20 Hz to 20 kHz, which means that reproduce the sounds of the microphone, the fall list in this area. What explains this is not likeclearly the different individual frequencies are played. Some microphones may react differently to certain frequencies. For example, the instrument for the bass drum microphones generally developed to respond better to the lower frequencies, while microphones would rather the frequency of a human voice.

As a general rule, condenser microphones have a flatter frequency response dynamic. This means that a capacitor will tendbe the best choice if the accuracy of sound reproduction is the fundamental objective.

Sensitivity

microphone sensitivity measures how much electricity input for a certain sound pressure is generated (in "millivolts" measured mV). In general, when measuring the sensitivity of the microphone, microphone in a sound field of reference is the place where a sound pressure level (SPL) of 94 dB (1 Pascal) at 1,000 Hz, the microphone is held. (Some manufacturers use 74 dB as Shure Pascal 0.1). The difference is that94 dB SPL is typical of the sound intensity is spoken by some twelve inches away and 74 dB SPL would be the same speakers are an inch away. A typical condenser microphone can be valuable both as "7mV/Pa" or-43dBV in the technical data listed. These two values ​​indicate the same thing - they are just expressed differently.

If two microphones are subject to the same SPL, and produces a higher output voltage, said that an assessment of the microphone for greater sensitivity. Althoughable to read / compare the sensitivity of the microphone (output) is important, assessment of the current sensitivity is not usually very careful in selecting the microphone. In general, the design of a microphone for a particular application is playing a role when the producers to determine the appropriate quantities. For example, dynamic microphones are generally less sensitive than condenser microphones, as used in the rule are fairly close to the source. The following are typical values ​​for threedifferent types of transducer of the microphone:

Capacitor: 5.6mV/Pa (high sensitivity)

Dynamics: 1.8mV/Pa (medium sensitivity)

Ribbon: 1.1mV/Pa (low sensitivity)

Impedance

The impedance of a device is the flow of an alternating current (such as the audio signal) and is measured in ohms resist. Usually when it comes to microphones, "low" everything is treated as less than 600 ohms. "Medium impedance" would be 600 ohms to 10,000 ohms and "High" is greater than would be10,000 ohms. All microphones have a specification in terms of impedance - sometimes the value is written somewhere on the microphone, other times you may have the technical manual or manufacturer site to check to determine the number. In general, low impedance microphones are better than high impedance and impedance often can be used as a guideline to determine the overall quality. The advantage of the low impedance microphones is that they are used with long cableruns and negligible signal loss. Hard-wired microphones with cables and a 1 / 4 "connectors are high impedance, while the mics and balanced XLR audio cable needs are low.

When you connect the microphone, it is important to know the ohm level of the mixer or amplifier. A low impedance microphone should always be connected to an input impedance greater, or cause loss of signal. Typically, "low" audio mixers provide inputs1000-2000 ohm impedance and designed to work with levels of low-impedance microphone.

The sound pressure level

Self-noise is the electrical noise that produces a microphone. In general, the specific noise "weighed", ie the highest and lowest frequencies in the response curve flattened to a better simulation of the signal response to the human ear. (We tend, in the mid range audio frequencies aloud.) As a general rule, an A-weightedSelf-noise spec of 18dB SPL or less is great (very low), 28 dB SPL is good, while just over 35dB SPL is not good for recording high quality audio.

Because dynamic microphones do not have active electronics (no individual phantom power) that have very low noise compared to condenser microphones. Most of the technical specifications for dynamic microphones do not include measurements of background noise.

Signal to Noise Ratio

The signal to noise ratio (S / N) is the difference in dBbetween sensitivity of the microphone and the sound of cars. A higher S / N means that the signal is cleaner (less noise) and that the microphone is more "reach." can achieve can be defined as the accurate recording of quiet / distant sounds of high S / N obtained is usually not as a metric to record on a sheet of filter technology, as a distant sound of each microphone, when the source is quite strong. For example, an inexpensive microphone to take a thunder in the distance.

As a general rule for evaluating S / NTerms of 94dB SPL, little more than 74dB is excellent, a / N 64dB S specification is good.

Summary

We hope that these definitions have helped to provide some local knowledge on the specific microphone. The truth is that there is no microphone "ideal" is ideal for every situation. Manufacturers design their microphones audio specific applications in mind - such as live concerts or reproduction, and therefore have adapted to the specific way inthat the microphone has a better sound than with a specific hardware configuration. microphones are generally more expensive with better hardware, specifications and a better performance results.

The Microphones choice - Understanding Specifications

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Techno House - producer of EDM Evasporque

!±8± Techno House - producer of EDM Evasporque

Tools used in production: Ableton Live, Novation Launchpad, Korg Kaossilator Korg Kaoss Pad Pro, KP3, Akai MINIAK, BCR2000 Rotary. M-Audio Fast Track Pro, MacBook, Power Mac G4 Dual, Audio Desk, MOTU 828 iZotope Ozone third video was shot at the SAMSUNG PL120 and edited in iMovie to be replaced and synchronizing the audio track and Linux-based open software video editing for the effects of fire.

Techno House - producer of EDM Evasporque

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Roland SP-404SX Portable Sampler with Effects

!±8± Roland SP-404SX Portable Sampler with Effects

Brand : Roland | Rate : | Price : $349.99
Post Date : May 22, 2011 14:42:03 | Usually ships in 1-2 business days

Roland SP-404SX Portable Sampler with Effects

Roland's acclaimed SP-404 performance sampler takes an exciting leap forward with the SP-404SX. In addition to the fun, fast, hands-on features of the original, this model offers enhanced sound quality with pure 16-bit linear sampling, improved DSP (digital signal processor) effects, smooth effects switching, a more versatile pattern sequencer (with a shuffle feature), and easier data management with SD-card compatibility. This portable sampler is a powerful, creatively stimulating tool for DJs, musicians, producers, and live-sound engineers.Instant samplingSample anywhere, anytime using the Roland SP-404SX's built-in microphone. And since the SP-404SX portable sampler can run on AC or battery power (six AA batteries), it's easy to record wherever and whenever inspiration strikes. Just power-up, point, and record. Line and mic inputs are also available for recording direct or with an external microphone. The Roland SP-404SX's sampling format is uncompressed wave for high-quality audio capture.Hands-on performanceThis Roland sampler is made to be played since its packed with interactive controls for jamming along with loops and patterns. Put your fingers on the three non-slip control knobs, 12 trigger pads, and Sub Pad for rapid repeat triggering in real time. On dark stages or DJ booths, the Roland SP-404SX is a performers dream with its illuminated rubber pads and bright LED screen.Extreme effectsCreate a signature sound using the SP-404SX's 29 DSP effects, which switch seamlessly during live performance. Essential onboard effects include spacious reverbs and choruses, plus filters and delays. There are also unique, esoteric effects built in, including a voice transformer and looper. With the DJFX Looper, you can create short loops (such as machine-gun-like "da-da-da-da-da" sounds) and control reverse playback with the knob. You can also create scratch effects like on a turntable. Connect the SP-404SX to a DJ mixer and use it as an effect processor. Seventeen of th

More Specification..!!

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Korg KOPRO Kaossilator Pro Dynamic Phrase Synthesizer/Loop Recorder Bundle

!±8± Korg KOPRO Kaossilator Pro Dynamic Phrase Synthesizer/Loop Recorder Bundle

Brand : Korg | Rate : | Price :
Post Date : May 20, 2011 23:56:03 | Usually ships in 1-2 business days

Korg KOPRO Kaossilator Pro Dynamic Phrase Synthesizer/Loop Recorder.
- KAOSS X-Y touchpad offers intuitive, realtime control.
- 200 sounds covering modern synth sounds such as lead and bass, and diverse acoustic sounds from piano to trumpet and beyond.
- PCM samples provide dramatic drum kits and ready to rock percussion patterns.
- Vocoder programs deliver scintillating vocal effects.
- Access up to eight of your favorite sounds instantly using the assignable Program Memory buttons.
- Loop Recording can layer both internal Program sounds and external audio overdubs.
- Four Loop Record Banks each allow up to four measures of loop recording, with easy muting that allows expressive realtime layering and DJ-Style re-mixing - ideal for live performance..
- Gate Arpeggiator repeatedly triggers sounds in sync with the tempo. The slider controls either the gate time or gate speed..
- Choose a key and select one of 31 musical scales to easily create musical phrases. Limit the X-Y pad's note range for even more control.
- Loop data, user settings and Program Memories can be stored on SD card.
- Dedicated software lets you manage loop data, MIDI assignments, and user settings from your computer.
- Performs double-duty as a MIDI controller for external equipment or software applications.

This Bundle Also Includes:
- Multi-Purpose Headphones.
- 4 Gigabyte SD Secure Digital Memory Card.

• Korg KOPRO Kaossilator Pro Dynamic Phrase Synthesizer/Loop Recorder.
• Multi-Purpose Headphones.
• 4 Gig SD Secure Digital Memory Card.

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Korg Kaoss Pad 3 Beatbox flowing jflo

!±8± Korg Kaoss Pad 3 Beatbox flowing jflo

this is me beatboxing on the KAOSS PAD 3, all from the mouth, I do not have much practice, but I hope u enjoy

Korg Kaoss Pad 3 Beatbox flowing jflo

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Laboratory tests: Kaoss Pad 3 Tetris (monomers)

!±8± Laboratory tests: Kaoss Pad 3 Tetris (monomers)

Tetris MAX / MSP monome app for use with the KP3 Kaonome. www.thelabsound.com www.monome.org www.korg.com circuitbent.wikispaces.com

Laboratory tests: Kaoss Pad 3 Tetris (monomers)

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SKP - watch the clouds (vs KP3 LSDJ)

!±8± SKP - watch the clouds (vs KP3 LSDJ)

I have my KP3 two days ago and had no chance to use it cause a lot of work! I decided this evening and a beer and go to it! I played an old song that I wrote about version 3.9.9 LSDJ through it and just mess around! PS I know I spelled wrong pad in the video:] check my myspace, www.myspace.com] / skppp

SKP - watch the clouds (vs KP3 LSDJ)

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North Kaoss Jam

!±8± North Kaoss Jam

My friend nonsense around (including some of my child support) his Nord Lead and my live setup. The guitar part is sadly lacking due to time constraints. Features: Nord Lead 3, Korg Kaoss Pad 3, Korg Kaossilator, Shure C-606N, 802-VLZ3 Mackie, Sven first Royal

North Kaoss Jam

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What makes YouTube can not do ... (Stoica DJ / Kaoss Pad 3 Techno Remix)

!±8± What makes YouTube can not do ... (Stoica DJ / Kaoss Pad 3 Techno Remix)

My tribute to the guys at derrickcomedy, thanks to my Kaoss Pad and my ability to cheese, the music annoying. I encourage everyone to watch the video "Ginko" - is impressive imo. In any case, I hope you enjoy! : D

What makes YouTube can not do ... (Stoica DJ / Kaoss Pad 3 Techno Remix)

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Dyan Tai - Sexy Beat Beatbox & Acapella version

!±8± Dyan Tai - Sexy Beat Beatbox & Acapella version

Live loops with Boss RC50 Loop Station and beatbox and Kaoss Pad KP3

Dyan Tai - Sexy Beat Beatbox & Acapella version

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broken Kaoss Pad 3, KP3 failure

!±8± broken Kaoss Pad 3, KP3 failure

WTF is wrong with my KAOSSPAD? I only have the synth, because I had no audio. The problem seems to affect all pads, and his own position. I tried to calibrate, but nothing happened. Ideas anyone?

broken Kaoss Pad 3, KP3 failure

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My experiment - Theremin and Korg KP3

!±8± My experiment - Theremin and Korg KP3

This uses a horror Kaosillator for the drum track, Korg R3 synth arpeggios and lead, theremin Etherwave for Oddities and the theremin through a box Korg KP3 effects due to grain. The vocoder on R3 is used for all the vocal tracks. The video was recorded with a Sanyo C6 by a measure Kaleidoscope (in the Old Town, Albuquerque has purchased a few years).

My experiment - Theremin and Korg KP3

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